No spectacle

How could we practice art that is not merely readable as an admission to changed living conditions caused by the pandemic? How can artists still create actual experiential spaces? Against the background of these questions I developed a project combining performance, installation art and proto-techniques as practiced nowadays in the northern hemisphere dance scene. The scores of this work may be experienced both in form of an online-performance and as a durational performance based on real encounters which implies me being present as an artist.