Performances and Installations
2022:
Founded the
GREY ROOM STUDIO, a space to explore visuality and production of visibility in relation to the public space, various projects with colleagues:
www.grey-room-studio.at Vienna (Austria)
2018:
“Why Do We Enter Rooms”, performance for an art installation by Esther Stocker,
OK Centre for Contemporary Art Linz
“Territorial Appropriations”, experimental workshop with Synne Genzmer,
Tanzquartier Wien2017:
“the in/visible club culture project”, performance, “Unconscious Archives Festival”, curator: Sally Golding, cooperation partners:
Austrian Cultural Forum, BKA Federal Chancellery, London (Great Britain)
“the in/visible club culture project”, performance in context of
High Bow, curated by “Figs in Wigs”, London (Great Britain)
“the in/visible club culture project“, performance in context of
Philosophy Unbound, Vienna
2016:
“the in/visible club culture project”, performance in context of “Soul Train”, cooperation: Austrian Cultural Forum London, London (Great Britain)
“Modes of Cooperation” open lab: results of the PhD + practice with colleagues, artist in residence,
ImPulsTanz – Vienna International Dance Festival, Vienna
“the in/visible performance” performative intervention in context of the exhibition opening “Mass Extinction” by Kamil Kukla,
Gallery Knoll, Vienna
“the in/visible performance #03 audience” performance,
PAF Performance Art Forum, (France)
2015
“Black Square On White Ground” Performance,
Unlike Very Performing Conditions Festival, Brussels (Belgium)
2014:
“NO MAN: 500 Years Of Sexual Acts” Performance,
Volksroom Brussels, Brussels (Belgium)
“Rehearsal As Mode Of Production” Performance,
Raw Matters, Schikaneder Cinema, Vienna
“Rehearsal As Mode Of Production” Performance,
PAF Performance Art Forum, Cooperation: Austrian Cultural Forum Paris (France)
“Black Dancefloor on White Ground” exhibition participation "KO_OP. Salon 69",
Basement, Vienna
“the in/visible performance #02 solo” Performance,
Im_Flieger, Vienna
2013:
“the in/visible performance #02 solo for two” performance,
Kubus Valie Export, Vienna
“the in/visible performance #01 duo” performance,
Volksroom Brussels, Brussels (Belgium)
“no-man: 500 years of sexual acts in 15 minutes” performance
Raw Matters, Schikaneder Cinema, Vienna
“sol invictus” performance with Hans Kitzbichler (composition) and students of Johann Sebastian Bach Musikschule Wien, curated by Vitus H. Weh,
Museumsquartier, Vienna
2012:
“re-play: the in/visibpe perfomance” + “no-man” 2 performances, coaches: Philipp Gehmacher and Janez Jansa,
Impulstanz, Vienna
“de/valutationsmaschinerie / variaton 3” choreographed lecture in context of “Unter Gang Art”, Halle G,
Tanzquartier Wien, Vienna
“de/valutationsmaschinerie / variaton 2” choreographed lecture in context of “Staying Alive”
Gallery Periscope, Salzburg (Austria)
2011:
“de/valutationsmaschinerie” combining installation and performance in context of “Stückwerk”, coach: Philippe Riéra (Superamas),
Tanzquartier Wien, Vienna
“De Passagem / Pass By” performance and installation, production: Mezzanine,
Festival Manobrasnoporto, Porto (Portugal)
2010:
“discharged” discusssion performance in BarRectum of Atelier Van Lieshout,
MUMOK (Museum of Modern Art), Vienna
“Display” curated by Agnes Hannes:
Gallery IG Bildende Kunst, Vienna
“Display” curated by Agnes Hannes:
Kunstraum Oberösterreich, Linz (Austria)
2009:
“Transit_360 (Part IIII Seaside)” artist in residence and performance in public space:
DeVIR/CAPa, center for contemporary dance, Faro (Portugal)
“lives in ... works ...? ” exhibition and intervention in trains,
Soho in Ottakring, Vienna
“Objekt_Raum_Betrachter_In” performative intervention,
Galerie IG Bildende Kunst, Vienna
2008:
“Diskonta_3” exhibition participation,
Gallery IG Bildende Kunst, Vienna
2007:
“The Inner Us” exhibition participation,
Basement, Vienna
“ARTmART” curated by Elisabeth Fritz: exhibition participation,
Künstlerhaus, Vienna
“Preis des Landes” exhibition participation,
Burgenländische Landesgalerie, Eisenstadt (Austria)
2006:
“Transit_360 (Part III Going North)” performance in cooperation with
DNA Groove, Gothenborg (Sweden)
“Transit_360 (Part II Going East)” performance in cooperation with
Austrian Cultural Forum Budapest (Hungary)
2005:
“Forms of Movement” single exhibition,
Cselley Mühle, Oslip (Austria)
“Transit_360 (Part I Transatlantic)” performance, New York (USA)
2004:
“intercities” performance in trains linking Vienna and Bratislava,
Zukunfts- und Kulturwerkstätte, Vienna, single exhibition, in context of
Month of Photography, Vienna
“intercities” photo installation at
Wiener Südbahnhof, Vienna
2003:
“Moved Pictures: One-Minute-Exhibitions” with Maria Männig in galleries of Vienna (
Gallery Meyer Krainer, Gallery Winter, Gallery Christine König, Gallery Gabriele Senn, Gallery Kerstin Engholm, Gallery Kargl), Vienna
2002:
“Kulturwoche Burgstädt” single exhibition,
Gallery Art Forum, Burgstädt (Germany)
1998:
“Die Blende” exhibition participation,
WUK, Vienna
Publications
2022:
“Außerhalb des bipolaren Rahmens der Geschlechter“, review, in Open Gender Journal, Vol. 6, DOI:
https://opengenderjournal.de/article/view/198 2021:
“Formen der Zusammenarbeit und des ‘Mit-Seins’: in Projekten der darstellenden und bildenden Kunst“, dissertation: First version published in German, 378 pages, Academy of fine Arts Vienna:
https://permalink.obvsg.at/AC16564737 “Singular-Plurals in Contemporary Choreography: From Aesthetics to Social Aesthetics“, in: Art Style | Art & Culture International Magazine, Issue 08, New York: website, DOI:
https://doi.org/10.5281/zenodo.5495962 2020:
“... eine transversale virale Linie ... die zum Vorschein bringt ... “: contribution: corona essays, Academy of fine Arts Vienna, weblink:
https://www.akbild.ac.at/de/universitaet/corona_essays/...-eine-transversale-virale-linie-...-die-zum-vorschein-bringt-../dividuum_coronavirus_CORONAESSAYS.pdf2016:
“die un/sichtbare performance” publication: Krasny, Elke/Unger, Petra (Eds.) in context of KUBUS VALIE EXPORT
2015:
“die un/sichtbare performance” in: KÖR: Art in Public Space, Vienna (Eds.) “kunst im öffentlichen raum 2010 – 2013”, S. 209
2012:
“the in/visible performance” in: “Innovationspreis der Stadt Wien”: catalogue contribution, Eds: IG Kultur, Wien, link: http://www.igkulturwien.net/index.php?id=343
2010:
“series of ... ” catalogue published by Iris Julian, Vienna
“Im Wintersternbild der Zwillinge” review of a performance by François Chaignaud, Cecilia Bengolea,
Corpus (Vienna), link: http://www.corpusweb.net/im-wintersternbild-der-zwillinge-6.html
2009:
“Strategien der Identitätssuche in den Performances von Ulrike Rosenbach” diploma in art history, published by:
Verlag Dr Müller, Saarbrücken (Germany)
2008:
“split identities / bodies / choreographies” published by Iris Julian, Vienna
2004:
“intercities: a crossborder action” in
Month of Photography, eds.: Eikon - Internationale Zeitschrift für Photographie und Medienkunst, Vienna (Austria), pp. 76-77
Classes and Lectures
2022 – :
Supervisor: Margerita von Brentano Zentrum,
Freie Universität Berlin (Germany)
2019-22:
Associated research member: DFG research group “Media and Participation“ University of Konstanz, Zurich School of the Arts, Leuphana University Lüneburg, University Hamburg: conference participation
2018:
“Modes of Collaboration and Being-With”, lecture at graduate conference,
Academy of Fine Arts Vienna, moderation: Prof. Diedrich Diederichsen
2016:
Artist talk,
Künstlerhaus Büchsenhausen, Innsbruck
Guest lecturer at Institute Transmedia Art, class: Prof. Brigitte Kowanz,
University of Applied Arts, Vienna
2015 – :
Techniques of Contemporary Dance With Reference to History Of Dance:
Series of workshops at University Sports Institute (USI), guest lectures e.g.: University of Applied Arts, Vienna
Education
2022:
Defensio: Dr. phil.,
Academy of fine Arts Vienna (Austria)
2010 - 2015:
participant in coaching projects for choreographers: Philippe Rièra, Xavier Le Roy, Christine Standfest,
Tanzquartier Wien and
Impulstanz (Austria)
2009 - 2012:
PhD study, professors: Sabeth Buchmann, Tom Holert, Christian Kravagna:
Academy of Fine Arts Vienna, (Austria)
2005:
Diploma in art history,
University of Vienna (Austria)
1994:
High School for
graphic arts and technology, specialisation in printing techniques, Vienna
2022:
Defensio: Dr. phil.,
Academy of fine Arts Vienna (Austria)
2010 - 2015:
participant in coaching projects for choreographers: Philippe Rièra, Xavier Le Roy, Christine Standfest,
Tanzquartier Wien and
Impulstanz (Austria)
2009 - 2012:
PhD study, professors: Sabeth Buchmann, Tom Holert, Christian Kravagna:
Academy of Fine Arts Vienna, (Austria)
2005:
Diploma in art history,
University of Vienna (Austria)
1994:
High School for
graphic arts and technology, specialisation in printing techniques, Vienna